The (barely) affordable rent was just a felicitous by-product of the owner's elaborate tax evasion schemes—and it was probably only a matter of time before some quiver of butterfly wings in world financial markets rendered the networks slightly less generous, or my landowner slightly less in need of a write-off, and I'd be picked up and flung fifty kilometers west, back to the outer sprawl where I belonged.

I approached warily. Home should have felt like a sanctuary after the night's events, but I hesitated outside the front door, key in hand, for something like a minute.

Gina was up, dressed, and in the middle of breakfast. I hadn't seen her since the same time the day before; it was as if I'd never left.

She said, "How was filming?" I'd sent her a message from the hospital, explaining that we'd finally got lucky.

"I don't want to talk about it." I retreated into the living room and sank into a chair. The action of sitting seemed to replay itself in my inner ears; I kept descending, again and again. I fixed my gaze on the pattern in the carpet; the illusion slowly faded.

"Andrew? What happened?" She followed me into the room. "Did something go wrong? Will you have to reshoot?"

"I said I don't want to—" I caught myself. I looked up at her, and forced myself to concentrate. She was puzzled, but not yet angry. Rule number three: Tell her everything, however unpleasant, at the first opportunity. Whether you feel like it or not. Anything less will be treated as deliberate exclusion and taken as a personal affront.

I said, "I won't have to reshoot. It's over." I recounted what had happened.

Gina looked ill. "And was anything he said worth… extracting? Did mentioning his brother make the slightest sense or was he just braindamaged and ranting?"