Someone behind me emitted a long string of incoherent obscenities. I turned to see the paramedic, who would have been with Cavolini since the ambulance; I hadn't even realized that he was still in the room. He was staring at the floor, his fists clenched tight, shaking with anger.

Lukowski grabbed my elbow, staining me with synthetic blood. He spoke in a stage whisper, as if hoping to keep his words off the soundtrack. "You can film the next one. Okay? This has never happened before—never—and if you show people a one-in-a-million glitch as if it was—"

The bioethicist ventured mildly, "I think the guidelines from the Taylor committee on optional restraints make it clear—"

The pathologist's assistant turned on her, outraged. "Who asked you for an opinion? Procedure is none of your business, you pathetic—"

An ear-splitting alarm went off, somewhere deep in the electronic guts of the revival apparatus. The pathologist's assistant bent over the equipment, and bashed on the keypad like a frustrated child attacking a broken toy, until the noise went away.

In the silence that followed, I almost closed my eyes, invoked Witness, stopped recording. I'd seen enough.

Then Daniel Cavolini regained consciousness, and began to scream.

I watched as they pumped him full of morphine, and waited for the revival drugs to finish him off.

2

It was just after five as I walked down the hill from Eastwood railway station. The sky was pale and colorless, Venus was fading slowly in the east, but the street itself already looked exactly as it did by daylight. Just inexplicably deserted. My carriage on the train had been empty, too. Last-human-on-Earth time.